Jumat, 14 Februari 2014
creativeLIVE - Photoshop Mastery : Image Ambulance
creativeLIVE - Photoshop Mastery : Image Ambulance
English | h264, yuv420p, 854x480, 30.00 fps | aac, 44100 Hz, mono, s16 | 2 GB
Genre: Video Training
Learn how a Photoshop Hall of Famer and 20-year Photoshop veteran would tackle the most difficult problem images that *you* submit!
Techniques will include:
• Removing dust and scratches
• Extreme color correction techniques
• Retouching in Perspective
• Tonal Rescue Techniques
• General Repair and Restoration Techniques
• Unifying skin tone and color
• Eye and Teeth Tweaking
• Red Eye Removal
• Removing Lens Flare and glasses glare
• Whatever else you can think of and have an example image to submit
******* 1 July 10, 2013
Pre-Show
9:00 am - Tonal Rescue
11:00 am - General Retouching Part 1
1:00 pm - General Retouching Part 2
2:30 pm - General Retouching Part 3
Wrap-Up
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Kelby Training - Speed of Light Motorcycle Photography
Kelby Training - Speed of Light Motorcycle Photography
English | h264, yuv420p, 1280x720, 1764 kb/s, 29.97 fps | aac, 44100 Hz, 1 channels, s16, 64 kb/s |
1.4 GB
Genre: eLearning
Tim Wallace is a commercial photographer known for his stunning automotive photography, but he is no stranger to all modes of transport. From super yachts to trucks and motorbikes Tim has worked with them in all corners of the world. In this class Tim walks us through a studio shoot with a 100% custom Harley-Davidson V-Rod. From building the set to placing the lights, and from making his selects to putting together the final composite, Tim shares tips and insights into the way he works at each step of the process.
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English | h264, yuv420p, 1280x720, 1764 kb/s, 29.97 fps | aac, 44100 Hz, 1 channels, s16, 64 kb/s |
1.4 GB
Genre: eLearning
Tim Wallace is a commercial photographer known for his stunning automotive photography, but he is no stranger to all modes of transport. From super yachts to trucks and motorbikes Tim has worked with them in all corners of the world. In this class Tim walks us through a studio shoot with a 100% custom Harley-Davidson V-Rod. From building the set to placing the lights, and from making his selects to putting together the final composite, Tim shares tips and insights into the way he works at each step of the process.
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